On their second studio
album, Shines Like Gold, The Weight Band looks at our troubled
world, ponders the passage of time, and ultimately conveys a sense of
hopefulness for the future. “There’s a new dawn rising,” they proclaim
on the title track, “and it shines like gold.”
With Shines Like Gold, The Weight Band presents a dynamic set of classic
Americana that draws upon roadhouse rock, funky swamp pop, blues,
country soul and folk music. Composed of band leader, renowned guitarist
Jim Weider (The Band, Levon Helm’s Midnight Ramble Band, Jim Weider
Band), keyboardist Brian Mitchell (Levon Helm’s Midnight Ramble Band),
bassist Albert Rogers (Jim Weider Band, Jimmy Vivino), drummer Michael
Bram (Jason Mraz) and keyboardist Matt Zeiner (Dickey Betts), the
veteran quintet shares a deep appreciation and knowledge for this music,
which Weider describes as the “Woodstock Sound.” The Weight Band
continues to serve as its torchbearer, with Shines Like Gold
representing a sublime example of these masterful roots musicians at
work.
Featuring nine original songs (co-written by Weider, Colin Linden, Brian
Mitchell and Matt Zeiner) plus a cover of a Willie Dixon gem, the album
kicks off with “Weight of the World,” a robust roots rocker that
powerfully delivers a hopeful message for the times ahead. Mitchell’s
accordion gives a New Orleans touch to “Long Journey,” a poignant song
about persevering after losing a loved one. The standout lead single
“Shines Like Gold” (Jim Weider & Colin Linden) offers an exuberant slice
of Americana with its reassuring “keep the faith” lyrics driven home by
Bram and Rogers’ powerful, galloping rhythm line and Weider’s muscular
Telecaster playing. Closing out the album is its sole cover, with strong
vocals by Bram, Mitchell and Zeiner, a bluesy, jazz-tinged rendition of
Willie Dixon’s “It Don’t Make Sense (If You Can’t Make Peace),” which
still remains amazingly relevant.
The Weight Band’s musical kinship is evident throughout the album,
giving it a more cohesive and funkier sound than the group’s debut. The
addition of Zeiner also contributed to the new album’s sound. He forms a
potent keyboard/organ tandem with Mitchell (“Tear Down These Walls” and
the poignant “Old John”) and provides the band with an additional strong
vocalist. Tracks like “Out of the Wilderness” and “Tall Trees”
particularly showcase his terrific harmonizing with Rogers and Bram.
A testament to the group’s musical affinity, The Weight Band recorded
Shine Like Gold’s ten songs live at Clubhouse Studios in Rhinebeck, NY,
over four days – with minimal rehearsal during the height of the
pandemic in 2020. Producer Colin Linden, an award-winning musician and
Weider’s longtime collaborator and co-writer on several of the album
tracks, was in Nashville. The arrangement, however, worked out
perfectly, according to Weider. “He was really thorough with the vocals.
He came up with a great arrangement in the middle of ‘Tall Trees’ with
his acoustic guitar and my slide underneath. He had a big hand and
footprint on this record. Weider added, “We go back, so there is a
comfortableness
working with him.”
The Weight Band’s origins are tied to Woodstock and some of its most
famous inhabitants, The Band. Weider, a Woodstock native, served as The
Band’s lead guitarist from 1985-2000, following Robbie Robertson’s
departure. In the late 00s, he replaced Jimmy Vivino in the Levon Helm
Band, which already included Mitchell. The connections extend further,
as Rogers shared the stage with Helm and Hudson while in The Jim Weider
Band and Bram drummed in the Chris O’Leary Band, an off-shoot of Helm’s
band The Barnburners.
In 2017, The Weight Band performed on the PBS series Infinity Hall Live.
The following year, their selfproduced debut, World Gone Mad, was
released to strong reviews. Billboard called it “excellent” while
Goldmine Magazine hailed World Gone Mad as one of the year’s best indie
albums. Most recently, the Weight Band put out Acoustic Live in 2021.
This 11-track album features five songs recorded at the Big Pink on
October 25, 2019, and six songs recorded the following night in Levon
Helm’s barn/studio. Performances include memorable versions of “World
Gone Mad,” Dylan’s “Highway 61 Revisited,” Jerry Garcia’s “Deal,” and
several Band covers.
Following Helm’s death in 2012, Weider performed a few “Songs of The
Band” concerts, which included Vivino, Byron Isaacs, Randy Ciarlante and
Garth Hudson. The shows were so well received that Weider started the
first version of The Weight Band with Ciarlante, Isaacs, Mitchell, and
keyboardist Marty Grebb. Over the next several years, the group shifted
from playing mainly Band songs to their originals. Along the way, band
membership shifted too. When Isaacs left for the Lumineers, Rogers came
aboard. Bram joined the group after Ciarlante’s departure. Following
World Gone Mad’s release, Grebb bowed out and Zeiner stepped in.
While The Band along with Dylan played a large role in making Woodstock
a launching point for what is now called Americana, native son Weider
points out the town also had a diverse music scene in the 70s. It was
home to performers like blues harp man Paul Butterfield, jazz
saxophonist David Sanborn, traditional folkies Happy and Artie Traum,
New Orleans-bred singer Bobby Charles and bluegrass troubadour John
Herald. This musical melting pot all contributed to the Woodstock Sound.
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